Hi kids! Hope you’ve had a good week! I’m still in Italy and it’s still just as likely to be thunderous and rainy as it is to be incredibly hot and sunny. I am in a state of perma-stickiness.
I’ve splined out all the characters for the assignment this week. They still need a lot of polishing up, but in general I’m happy with how the shot is turning out. I did quite a lot of revisions this week.
As you might notice, I’ve changed the mechanic quite a lot, so now it should (hopefully) be pretty obvious that he is a mechanic and is working on the car and isn’t travelling with the couple.
I decided to stick to my guns with regards to the office guy and his tie. My justification for it is that because he doesn’t go on holiday a lot, his tie represents his normal environment and is a source of comfort when he is scared. I considered doing the “biting his nails” thing, but felt that it was a little cliché – I’ve seen it too many times. This felt a little different. I’ll animate the tie once his body mechanics are completely locked down. Don’t worry though, it will definitely work – trust me! ;)
This is what we’re looking at:
Girl
There’s some small polishing to be done here and there but she’s working well overall. Based on descriptions I’ve provided previously, should she be more excited than she is?
Mechanic
The new animation for the mechanic is working really nicely, it’s nice and clear and looking good.
The thumbing could be a little faster, like it’s a throwaway comment, suggesting how he isn’t bothered by the situation.
Body mechanics issues to address: His hand shakes a little FRM110-120, watch the rear elbow shape when he’s crouched down, there is a rogue key at FRM149 where his entire body shifts position before the camera cut.
Guy
Now that we have the justification, the acting choice regarding the holding of the tie can “make sense”. Even if we don’t have a whole film with which to get a greater sense of the context of the character, it’s still important to answer these questions.
One thing that isn’t clear is if he’s letting go of the tie after the first shot. Also, it might be nice if he fiddles with it a little more, to add some ‘frequency’. He needs some additional refinement in the final shot, even if it’s just some breakdown poses.
A-
So a pretty good week then! What makes it even sweeter is that I didn’t do anything other than auto-tangent the mechanic and guy on Sunday morning. That’s right; I decided to throw off the shackles of AM slavery and just hand in what I had. Animation is never finished and typically I just keep working and working until the deadline is dangerously close. It felt good not to do that for a change.
Next week I will start trying to block in some proper facial animation as well as start cleaning up the animation. I’m hoping that adding in the facial is going to provide a sea-change in the overall appeal of the shot, like it did in my last one.
Let’s hope so.
